Let me recall at this point Nietzsche’s statements regarding classic and romantic art. He identified two types or orders of each. There is the romanticism of true power that shatters contemporary forms to go beyond these to new forms; and there is, on the other hand, the romanticism that is unable to achieve form at all, and so smashes and disparages out of resentment. And with respect to classicism likewise, there is the classicism that finds an achievement of the recognized forms easy and can play with them at will, expressing through them its own creative aims in a rich and vital way; and there is the classicism that clings to form desperately out of weakness, dry and hard, authoritarian and cold. The point I would make— and which I believe was also Nietzsche’s— is that form is the medium, the vehicle , through which life becomes manifest in its grand style, articulate and grandiose, and that the mere shattering of form is for human as well as for animal life a disaster, ritual and decorum being the structuring forms of all civilization. Campbell, Joseph (2011-03-11). Myths to Live By (The Collected Works of Joseph Campbell) (pp. 48-49). Joseph Campbell Foundation. Kindle Edition. - Todd Hoff